Fitness instructor carves his girlfriend’s name into the Colosseum.
Las Meninas (detail), by Diego Velázquez, 1656. Prado Museum, Madrid, Spain.
VIEW:
If we pretend to respect the artist at all, we must allow him his freedom of choice, in the face, in particular cases, of innumerable presumptions that the choice will not fructify. Art derives a considerable part of its beneficial exercise from flying in the face of presumptions.
—Henry James, 1884Lapham’s
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